The Dionysian signs in Richard Wagner's Tannhäuser

Muzikološki Zbornik. 2015;50(2) DOI 10.4312/mz.50.2.231-237

 

Journal Homepage

Journal Title: Muzikološki Zbornik

ISSN: 0580-373X (Print); 2350-4242 (Online)

Publisher: Ljubljana University Press, Faculty of Arts (Znanstvena založba Filozofske fakultete Univerze v Ljubljani)

Society/Institution: University of Ljubljana, Faculty of Arts

LCC Subject Category: Music and books on Music: Music

Country of publisher: Slovenia

Language of fulltext: German, Slovenian, French, English, Croatian, Italian

Full-text formats available: PDF

 

AUTHORS

Sanna Iitti (Independent Research Professor, Helsinki)

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 16 weeks

 

Abstract | Full Text

The article discusses Dionysian signs in Richard Wagner's opera Tannhäuser und der Sängerkrieg auf Wartburg, focusing on Venus's arietta “Geliebter! Komm”. The method exemplifies musical topics' semiotic analysis. It is proposed that the arietta's pastoral style constitutes a lyric Dionysian sign.