Vox Patrum (Jan 2013)

Hymny Proklosa: filozofia i kult

  • Ewa Osek

DOI
https://doi.org/10.31743/vp.4055
Journal volume & issue
Vol. 59

Abstract

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The present paper consists of the introduction to the Neoplatonic and Chaldean systems, the first Polish translation of seven extant Hymns by Proclus (AD 412- 485), and the commentaries on each of them. This essay is a polemic against the well-known book by R.M. Van den Berg entitled Proclus’ Hymns (Leiden 2001, Brill), which shows, above all, the Chaldean influences (cf. The Chaldean Oracles, ed. R. Majercik, Leiden 1989, Brill). I has argued that the philosopher used much more literary patterns than the Chaldean Oracles to illustrate the Neoplatonic „oecumenism” (an expression of P. Athanassiadi), i.e. syncretism of all the late-pa­gan religions. I has argued, further, that the philosopher’s cult-songs had been used in purifications and mystery rites of all the religions, but there is no evidence for the theurgy alone. I disagree with M. Van den Berg in the main thesis of his book that the gods to whom the hymns were adressed should be identified with the lead­er-gods of Proclus’ system. My argumentation leads to the conclusion that the gods of Proclus’ Hymns can be identified with the Great Demiurges (Hymns 2, 6, 7) and the Lesser Demiurges (Hymns 1, 3, 4, 5). The elaborate theological system con­structed by Proclus and the location of gods from the Hymns in it are shown in the special diagram (table 1).

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