CHAMBER-VOCAL WORKS OF COMPOSERS OF THE REPUBLIC OF MOLDOVA IN THE VERSION FOR TENOR (ON THE EXAMPLE OF A LYRIC POEM BY V. ZAGORSKY)

Abstract

The article presents an analysis of the version for tenor and piano of one of the most important vocalchamber compositions in Moldovan music — the vocal cycle „Lyric Poem” by V. Zagorsky on the verses by E. Loteanu, written in the original for baritone and piano. The authors review the new tonal plan, which appears as a result of transposition, highlight the peculiarities of the vocal and piano parts, specify the new figurative images in the proposed version. A major argument in favor of the feasibility of such an adaptation is the fact that the authors have already successfully performed in concert several romances. The conclusion is made regarding the importance of the undertaken effort in popularizing V. Zagorsky’s vocal-chamber works.

Keywords

• vasily zagorsky
• vocal cycle
• version
• analysis
• tenor
• piano
• transposition