Zen in Early Persian Painting—A Study of the 1314–1315 <i>Jāmiʿ al-Tavārīkh</i> Illustrations

Abstract

Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art.

Keywords

• <i>Jāmiʿ al-Tavārīkh</i> of Rashīd al-Dīn
• Zen painting
• China-Iran cultural relationship