Divine stage: spectacle of end century. Il cromuele

Abstract

While, over the first half of the seventeenth century, in Europe predominantly ruled the Giulio Parigi´s florentine figure, as an exponent of the scenographer, in the creation, design, organization and assembly of the shows for the Grand Dukes of Tuscany, the Medici, the fact is that in the second half, including its influence model, another’s Italian interesting centers were found, providing alternative artists and a very definite style in the Baroque, in line with the “Quadratturas” in its approach to the illusory decorations Set.

Keywords

• escenografía italiana
• iconografía e iconología barroca
• fiesta barroca
• arte y arquitectura efímera
• oliver cromwell.