Winckelmann, Lessing e Herder: estéticas do efeito? Winckelmann, Lessing and Herder: aesthetics of the effect?

Trans/Form/Ação. 2000;23(1):19-50 DOI 10.1590/S0101-31732000000100002

 

Journal Homepage

Journal Title: Trans/Form/Ação

ISSN: 0101-3173 (Print); 1980-539X (Online)

Publisher: Universidade Estadual Paulista

LCC Subject Category: Philosophy. Psychology. Religion: Philosophy (General)

Country of publisher: Brazil

Language of fulltext: English, Portuguese

Full-text formats available: PDF, HTML, XML

 

AUTHORS

Marco Aurélio Werle

EDITORIAL INFORMATION

Blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 17 weeks

 

Abstract | Full Text

Este artigo investiga, sob a perspectiva de uma estética do efeito, as origens da assim chamada "estética da época de Goethe", segundo a obra de Lessing, Winckelmann e Herder. Pretende-se mostrar que há nestes autores tanto uma influência do parâmetro do efeito, suscitado pela obra de arte no espectador, quanto o apontamento para uma instância, por assim dizer crítica, idealista e especulativa de apreciação do fenômeno artístico.<br>We analyse in this article, from the point of view of an aesthetics of the effect, the sources of the so called "aesthetics of Goethe's time", according to the works of Lessing, Winckelmann and Herder. Our aim is to show that there are in those authors both an influence of the parameter of the effect, elicited by the work of art on the spectactor, and the pointing to a dimension, so to speak critical, idealistic and speculative of appreciation of the artistic phenomenon.