Hegemonía, filosofía de la praxis y la cuestión de l’arte en los Cuadernos de la cárcel de Antonio Gramsci

Abstract

This paper deals with the relationship between Antonio Gramsci’s artistic and political thinking. For this I compare the terms “hegemony” and “philosophy of praxis” with Gramsci’s distinction between the cultural, civilising value of art, and its autonomous and distinct character.

Keywords

• gramsci
• aesthetics
• politics
• philosophy of praxis