A Study of the Mechanism of Visual Communication in the Creation of Paintings in Public Art Programs

Abstract

Painting and public art no longer exist separately and in isolation but interpenetrate and integrate. The painting depicts and expresses objective objects through multiple painting languages such as chiaroscuro, color, texture, etc., while public art is an art of comprehensive display combined with venue, material and emotion. This paper analyzes the physiological structure of the human eye and the visual imaging system, integrates the mechanism of human visual attention into the perceptual construction process of public art painting creation, and then focuses on the research of the mechanism of stereoscopic perception and binocular perception of the human eye. On this basis, combining the spatial and temporal characteristics of the human eye to the creation of public art paintings, the visual communication mechanism of public art painting creation is explored from the three aspects of visual communication elements, paths and efficiency, and the subway mural creation is used as an example to analyze the feedback effect of visual communication. The results show that when the visual distance interval is 4~7, it is favorable to the visual communication of public art painting creation. In addition, focusing on the hue characteristics of the pattern color space while referring to the saturation and luminance characteristics for numerical analysis and quantification can be better for visual communication. Eye movement experiments show that higher color temperature scores are more in line with viewer preferences.

Keywords

• visual imaging system
• attention mechanism
• human eye stereo perception
• eye movement experiment
• public art painting creation
• 97p10