Aristotle in The Hague: Artistic Pleading and Emotional Theatricality in International Criminal Proceedings

Abstract

This essay contends that emotions provide an extralegal framework that can contribute to a better comprehension of international legal justice and the ways in which it works. The examination of two cases brought before the International Criminal Court (ICC)—namely Ongwen (ICC-02/04-01/15) and Al Mahdi (ICC-01/12-01/15)— identifies how the parties in the process attempt to harness the power of emotion in their pleadings and arguments. This examination fosters a better understanding of the dramatic nature of international trials.