THE REFLECTION OF SOCIALISM REALISM IN RUSSIAN MUSIC IN THE MUSIC IN THE CHINESE PIANO CONCERTO “THE YELLOW RIVER”

Abstract

After World War II, the socialist camp opposed capitalism, and socialist realism became the official art school and style of socialist countries in the Soviet Union. This article analyzes how the realistic music style of the 19th century Soviet Union was inherited and developed in the 20th century, thus forming a music style that can be called “socialist realism”. This style had a profound impact on the development of Chinese piano music in the 20th century, including the creation of the Yellow River Piano Concerto by six Chinese composers, including Yin Chengzong, which is one of the typical music works of socialist realism style and the product of a specific historical period. It uses a revolutionary musical language, filled with inner passion and motivation. The paper applies the historical-structural approach, as well as the method of analysis of musical works and structural analysis of musicological literature published in Chinese and Russian on the subject of research. This article aims to reveal the significant impact of Russian and Soviet music styles on the development of Chinese piano art. The author concludes that due to the “socialist realism” style, the Yellow River piano works have a strong appeal and revolutionary nature, inspiring people to participate in national struggles and becoming a model of piano music at that time.

Keywords

• soviet union
• china
• socialist realism
• piano concerto
• “yellow river”
• national spirit