CeROArt : Conservation, Exposition, Restauration d'Objets d'Art (Apr 2009)

Forgery of Icons

  • Julia Spies

DOI
https://doi.org/10.4000/ceroart.1110
Journal volume & issue
Vol. 3

Abstract

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This article is based on the thesis „Icon Forgery. A historical, ethical and technological reflection” by the author, which explains, when is an Icon genuine or a forgery. In doing so, the terms Icon and Icon-copy will be defined by taking the aspects of the religious significance as well as the historical development into consideration. Within the given frame only a few phenomena will be described. Detailed explanations can be found in the complete thesis.

Keywords