Imágenes milenaristas en el arte de vanguardia

Abstract

This article analises the recovery of the romanic iconography by vanguard artists, as a part of the primitive and archaic sources assertion undertaken at the beginning of the XIXth century. Special interest is given to the impact of the mural paintings on the Catalonian artists as well as the impact of «Beatos» miniature on the Federico García Lorca’s New York drawings.

Keywords

• primitivo
• románico
• antinaturalista
• apocalipsis