Entre art numérique et monument emblématique, une expérience d’entre-deux, en faveur d’une inclusion sociale

Abstract

At a time when the world is totally fantasized by the myth of digital culture, the reflection we wish to initiate will attempt to unveil the relationship between digital art and the art of space, through architectural projection. Where the visual and the symbolic merge, creating a third space between the real and the virtual, the visible and the invisible. Through a fictional world, set up in Refik Anadol's Living Architecture, our research will set out to analyze emerging practices in artistic activity, in which the digital occupies a prominent place as a vector of social inclusion. The digital revolution has profoundly altered human perceptual structures and our way of being in the world. Induced by new technologies, it is now omnipresent. The concept of digital art is thus confronted with multiple social challenges.

Keywords

• digital art
• space
• intermediality
• architectural projection
• heritage