Restitución de la identidad robada en el teatro de Teresita Galimany

Abstract

In the context of the Argentine military dictatorship, the phenomenon of rupture of filiation stems from the political violence exercised at the time. A measure of political repression (appropriation of children of opponents), it is also a consequence of forced exile and its devastating impact on families. This article aims to address the theme of the restitution of the stolen identity in Corriendo en la sangre (2010) and Mientras la quietud (2018) by Teresita Galimany. theatre, identity, dictatorship, Argentina, fragmentation, transgenerational

Keywords

• théâtre
• identité
• dictature
• Argentine
• fragmentation
• transgénérationnel