Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)

Abstract

To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter of everyday life.

Keywords

• Macedonian Contemporary Theatre
• Macedonian Contemporary Drama