Brumal: Revista de Investigación sobre lo Fantástico (Dec 2017)

Paul Scheerbart’s Kaleidoscopic Fantasies

  • Susana Martins Oliveira

DOI
https://doi.org/10.5565/rev/brumal.414
Journal volume & issue
Vol. 5, no. 2

Abstract

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The work of the German polymath Paul Scheerbart is attracting a renewed attention in recent years. During his prolific career, his unconventional fiction, art and poetry influenced a range of intellects, from architect Bruno Taut to Walter Benjamin, who even quoted his ideas on glass in his Arcades Project. Scheerbart wrote dozens of outer-space novels and utopian stories, plus articles and reviews, always about things like glass architecture, perfect outer-worlds and realities, reflecting extreme dreams, ambitions and fears. In this essay I will revisit Scheerbart’s various writings with an emphasis on the book Glass Architecture (1972) and the novel The Gray Cloth and Ten Percent White: A Ladies’ Novel (2001), in order to understand the metaphor of glass and colour that shaped the fantastic dimension of his work while, at the same time, reveal a myriad of ambivalent, and often opposed, meanings.

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