Chapultepec: hacia la escultura social

Abstract

This article thinks how the meaning of sculpture has changed from the heroic monument of the State-formation period. Today, it is, rather a flexible environment that, instead of presenting a static vision of the past, includes the moveable and complex interacting parts of the present. This vision is the core of what Gabriel Orozco has planned for the future of the city’s largest park.

Keywords

• sculpture
• chapultepec park
• iconoclasm
• gabriel orozco
• pedro reyes