Mélanges de la Casa de Velázquez (Apr 2020)

O que é isso, Caetano?

  • Pedro Meira Monteiro

DOI
https://doi.org/10.4000/mcv.12587
Journal volume & issue
Vol. 50, no. 1
pp. 211 – 226

Abstract

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Building upon the polemic that has brought poet and musician Caetano Veloso and literary critic Roberto Schwarz to the forefront of the cultural debate of the Left in Brazil, I discuss how the tension between an engaged, Revolution-driven attitude, and the counterculture agenda of the sixties may be still alive. Rooted in the struggles against the Brazilian dictatorship, such a tension can help understand how artists and intellectuals are haunted by the necessity of a historical synthesis, and how they face the challenge of imagining alternatives to a world whose end can neither be defined nor achieved. In order to address the meaning of those tensions around the open-endedness of history, topics such as consumerism, politics, desire, sex, the body, and the arts, are discussed in the light of the dispute between Veloso and Schwarz.

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