Гуманитарные и юридические исследования (Sep 2021)
SOME ASPECTS OF KRASNODAR'S REGIONAL PHILHARMONICACTIVITY IN THE CONTEXT OF A NEW POLITICAL COURSE
Abstract
With the reference to numerous historical sources the author considers influence of a new political course of N. S. Khrushchev on Soviet culture and peculiarities of local cultural policy on the materials of Krasnodar regional philharmonic. The author expands knowledges about the role of musician associations in inding and prepearing amateur talents, shows the scale of philharmonic service provided to the population of the agrarian region. A unique feature of the requirements to professional masters of the arts on state and party authorities during the "Khrushchev's Thaw" was their participation in the organization of amateur performances with the workforce. Musical groups, directors and actors for the methodical and creative help were in charge of amateur collectives of the Kuban. The author shows educational activity as an important aspect in the work of the Philharmonic Society. In the early 1960s a wide network of popular cultural universities was organized in the Kuban. It was a powerful movement of mass cultural education. A lot of people joined the treasures of national and world culture through the universities. Particular attention is paid to one of the priorities in the activities of the Krasnodar Philharmonic Society - the artistic education of young viewers. Carrying out the party's policy decisions, the Krasnodar Philharmonic Society significantly strengthened that aspect of its work, having organized the children's sector in its structure. The paper analyzes the problem of creating music on a local theme. To accomplish the task, close contacts were required from all branches of the Kuban artistic culture. Until 1966, there was no professional creative association in the Kuban, and local composers worked as a part of the philharmonic society. Moreover, there was no close contact with the regional department of writers. The article presents a material in which the author shows how the process of liberalization, which affected state-building and national policy in those years, affected the activities of national teams working in the territory of the Kuban. The beginning of the 1960s was marked by the rise of theatrical and musical affairs in Adygea.
