Gelar: Jurnal Seni Budaya (Feb 2016)

Perspektif Dalam Seni Lukis Tradisi Indonesia

  • Agung Purnomo

DOI
https://doi.org/10.33153/glr.v5i1.1229
Journal volume & issue
Vol. 5, no. 1

Abstract

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Traditional painting Indonesia like wayang beber and of a kind represent one of form "genius local" a success expand according to requirement a period of the Cultural product tidy efficient considerabfy practical and with elements which, is easy to be arrested and permeated to later, then digested by space think its prop socie(y of that moment. Visual form of traditional painting of The Indonesia it careful there is an problems hit is "in perpective" because in laying open form an obyek do not seen realisitis as perception of human being to real obyek-obyek. To remove "picture" natural and above its contents an media as area draw realisticallY and have " dimension to three" needed by knowledge hit is in perpective. Do not there are in perpective element at traditional painting ~l rasse Indonesia by elementary matter about  way of perceiving an obyek which thry see is everydqy. Way of idioplasitik approach so central form the condition of think concept in creating a painting, so that thry are in paint crystal clear take no account of in perpective element which is often used in visioplastis think framework Keyword: Art Paint Tradition, Perspektif