Diacronie. Studi di Storia Contemporanea (Sep 2014)

Identitades vernáculas, propaganda subliminal y sentimiento nacionalista. La “Sección retrospectiva” de la exposición internacional de Barcelona de 1923 o la feria de las vanidades del meuble español

  • Juan Antonio Sánchez López es Doctor en Historia del Arte y Profesor Titular del Departamento de Historia del Arte de la Universidad de Málaga, Premio Extraordinario de Licenciatura y Premio Extraordinario de Doctorado. Actualmente es director y docente del Máster de Escultura Barroca Española, impartido en la Universidad Internacional de Andalucía.,
  • Antonio Rafael Fernández Paradas es Doctor en Historia del Arte, Licenciado en Documentación y Perito Tasador en Antigüedades y Obras de Arte. Actualmente es director y docente del Máster de Escultura Barroca Española, impartido en la Universidad Internacional de Andalucía.

Journal volume & issue
Vol. 6, no. 3
pp. 1 – 18

Abstract

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The International Exhibition of Furniture and Interior Design, held in Barcelona in 1923, not only had the furniture as documentary evidence of the uses, ways and means and ways of life. The show organizers also served to reconstruct the History of Spain and Catalonia from the Middle Ages to the XVIII century through the eight “rooms” that formed the Archival Section. Through this scenery we perceive the identity and values ​​of the cabinet anthropological and cultural “product” of societies, demonstrating a dramatic and theatrical sense that contrasts with the archaeological and rigorously “scientific” view of the past. From the Catalan perspective, the meaning of the exhibition took on a ‘nationalist’ meaning attached to the Spanish which was seconded by the organizers and reviled by critics, closer to independence secessionist.

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