Rhetorical Figures in Òndó Praise Chants

Abstract

The study examines rhetorical figures in Ondó praise chants with a view to providing a detailed analysis that contributes to the understanding of the linguistic and cultural intricacies inherent in this particular form or genre of praise chant. Among others, the study identifies the rhetorical figures employed in the linguistic construction of "Oríkì Òndó”. It analyses the cultural nuances and symbolism encapsulated within the rhetorical devices used in the praise chant. The study further explores how specific rhetorical figures contribute to the rhythmic and aesthetic qualities of "Oríkì Òndó" in a distinct manner. To achieve these objectives, the study involves in-depth analysis of recorded `Ondó praise chants, interviews with practitioners. Data are analyzed using Fahnestock’s (2011) principles of Rhetorical Style. Findings show that the "Oríkì Òndó" is a reservoir of rhetorical richness, employing various figures such as metaphor, hyperbole and symbolism. Findings further reveal the fact that the chants not only showcase a mastery of language but also serve as a cultural repository, encapsulating the essence and identity of the Òndó people. The study concludes that the "Oríkì Òndó" stands not only as a testament to the past but also as a living art form that continues to resonate and evolve within the cultural fabric of the Yòrùbá people.

Keywords

• Linguistics
• Rhetorical figures
• Òndó
• Praise chants
• Cultural intricacy