Studiul Artelor şi Culturologie: Istorie, Teorie, Practică (Jun 2015)
THE TRANSFORMATION OF THE SYMPHONY GENRE AND OF THE CONCEPT OF SYMPHONISM AT THE TURN OF THE 20th – 21st CENTURIES AND ITS REFLECTION IN COMPOSITIONAL CREATIVITY FROM THE REPUBLIC OF MOLDOVA
Abstract
In this article the author for the first time emphasizes the theoretical problem of transforming the present concept of symphony and symphonism, at the basis of which is the transformation of the classic pattern of dialogue the Man and the World, to a modern one linked to the new, reflective type of composers’ thinking, as well as new items that contain transcendent and sacred elements. The theoretical aspect is confirmed by selected examples of symphonic works signed by V. Zagorschi, Gh. Neaga, P. Rivilis, T. Chiriac and Gh. Ciobanu.
