The Polish Journal of Aesthetics (Dec 2018)

Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017)

  • Kate Antosik-Parsons

DOI
https://doi.org/10.19205/51.18.5
Journal volume & issue
Vol. 51, no. 4/2018
pp. 79 – 96

Abstract

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This article examines the embodiment of pain in artist Máiréad Delaney’s performance AtWhat Point It Breaks (2017). Drawing upon the gender-based violence of symphysiotomy and its resulting pain, Delaney’s work employs an affective aesthetics and negotiates a breach in representation, thus facilitating viewer engagement with the performance as a means of critiquing the insidious control of women’s bodies and the resulting reproductive injustices in Irish society.

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