The Ir(rational) in the Locomotion of Filmography, Theatre, Music Scene and Pop Culture as the Creation of the “New Croatian Cultural Memory”

Abstract

By dealing with the examples of Croatian (pop) culture production, the paper analyzes different strategies of cultural production in relation to the previously existing cultural memory matrix (anti- fascist, fascist, Yugoslavian, nationalist...). Do such practices indeed result in the moral of the film Total Recall?

Keywords

• memory, obscurity, ideology, former Yugoslavia, war