Ziyuan Kexue (Dec 2023)

The scene cognition and production mechanism of the Yellow River tourism cultural space

  • QIN Xiaonan, DU Xueting, WANG Xingkang, WANG Yue

DOI
https://doi.org/10.18402/resci.2023.12.08
Journal volume & issue
Vol. 45, no. 12
pp. 2400 – 2413

Abstract

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[Objective] Based on the division of the upper, middle, and lower reaches of the Yellow River, this study analyzed the scene representation of the Yellow River tourism cultural space and the market-oriented cognition of the cultural background connotation from the dual perspectives of cultural scene evolution and tourist perception, which has guiding significance for the optimization of space production and the differentiation of industrial development. [Methods] This study combined the scene theory and space production theory to construct a progressive cognitive framework of perceptual space scene-conceptual space scene-interactive space scene. The second-level dimension of scene cognition was refined by evaluating text precoding. Machine learning algorithms and configuration analysis tools were used to explore the differentiated section characteristics and dynamic production mechanism of the Yellow River tourism cultural space scenes. [Results] (1) The material perceptual space scenes of the three sections showed a unified common feature, and the perception of natural ecological scenes was consistently significant. The conceptual space scene and the interactive space scene present a diversified and superimposed distribution. The upstream conceptual space scene is characterized by uniqueness and entertainment value,mainly with product difference experience as the main interactive feedback. The midstream conceptual space scene is characterized by knowledge value, mainly with cultural authenticity experience as the main interactive feedback. The downstream conceptual space scene is characterized by leisure value, mainly taking service quality experience and ecological environment experience as interactive feedback. (2) The production of cultural space in the three sections is in different stages of evolution and development. The upstream is in the stage of perceptual space production, and the extension of conceptual space and the construction of the interactive space are relatively lacking. The middle reaches are in the stage of conceptual space production, which has not yet broken away from the dependence on material resources. The downstream is in the stage of interactive space production, which tends to focus on the production of natural ecological and leisure scene. [Conclusion] The Yellow River tourism cultural space is a multi-level and multi-dimensional cultural complex. Each section is aggregated into a cultural system with strong identity and orientation. Here, it is proposed that different sections should focus on excavating characteristic cultural resources, promoting the construction of local cultural brands, and exploring differentiated spatial development paths and driving mechanisms.

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