The Social Industry

Abstract

Historical mass media and contemporary social media are typically seen as opposites. “The culture industry” was the term used by the Frankfurt School in the 1940s to explain the emerging commercial mass media. The culture industry was portrayed as a semi-fascist apparatus of indoctrination. It selected cultural products and made them popular based on obscure determinations of economic value. In contrast, the common view of contemporary social media is that it is more democratic. Using voting algorithms and human voting, social media can finally realize widespread participation that was denied to the passive audiences of the mass media system. Social media appear to remove the bottleneck of the mass media system, allowing everyone to aspire to celebrity, or at least popularity. However, despite these appearances, social media have also now evolved into an elaborate system that selects social products and makes them popular based on obscure determinations of economic value. Social media platforms filter, censor, control, and train—and they may do so without the user’s awareness. Advances in computation now make a social media industry possible that is based on individual difference and action rather than sameness and passivity. But in other respects, the social industry resembles the culture industry: the co-option of culture has been superseded by the co-option of sociality. The word “social” may then be the biggest challenge facing those who study social media. Our task is to rescue genuine sociality from the emerging social industry.