Panoramas umbrais da modernidade : autoidentidade e o dissensu matrimonial em Anthony Giddens

Abstract

The present textual composition concentrates on the consideration of auto-identity, searching to understand the connection between intimate aspects of human existence and the modern society by means of Anthony Giddens’s analytic prism. The dynamic of modern paintings supports the momentariness of social relations that is expressed in the of divorce. In the conflictual areas, the individuals have the possibility to transform and insert and weave new shades into the social cloth. Searching their own auto-identity, self-acknowledgement and finally the overcoming of contexts of crisis, the individual mobilizes distinctive initiatives and contributes thus in activity and the structures around it

Keywords

• modernity
• auto-identity
• matrimonial dissensu