THE GENRE OF CONCERTO FOR PIANO AND ORCHESTRA IN THE CREATION OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA AND ITS SCIENTIFIC COMPREHENSION

Abstract

The article examines the genre of the concerto for piano and orchestra in the creative activity of composers from the Republic of Moldova. This genre is analyzed from the point of view of its historical evolution, musical style, the composition and dramaturgy peculiarities and the author’s individual conception. She gives a vast panorama of musical research dedicated to the concerto for piano and orchestra in the Republic of Moldova and characterizes the scientific works written by A. Miroshnicov, E. Abramova, E. Kletinici, E. Mironenko etc. The materials are systematized and generalized.

Keywords

• concerto for piano and orchestra
• composition-dramaturgic varieties of the genre
• composer
• musical language
• historical musicology