MAN VS NATURE: ENVIRONMENTAL INTERPRETATION WORKS OF LITERATURE OF XX CENTURY

Abstract

The article investigates the binary opposition of «Man - nature» in the literary works of the twentieth century, particularly in the extravaganza Maurice Maeterlinck «The Blue Bird» and the drama of Lesya Ukrainka «Forest Song». With the help of art - poetry, painting, drama, reception must be developed as a wildlife wonderful reality and the sacred space. The decision of the opposition hermeneutic understanding and knowledge will contribute to the realization of environmental realities.Maurice Maeterlinck and Lesya Ukrainka expressed profound and important idea for us - wild nature has its own intrinsic value, its interests and dignity, its purpose and moral right to existence and freedom. The existence of wildlife good in itself, and the destruction or control of it is wrong in nature. It is mysterious, wild, free and divine, wildlife sanctuary can be considered the original and authenticity, a haven of purity and morality, it is a salvation for future generations. Any piece of art is open aesthetic system, it is continued in the individual interpretation of the reader. Through art poetry, art, drama and ritual and religion should be developed as a reception wild natureis wonderful reality and sacred space.

Keywords

• екологізм
• культура
• екологічна культура
• дика природа
• екологічна інтрпретація
• цінність