Вісник КНУКіМ: Серія Мистецтвознавство (Dec 2018)
CONTAMINATION AS A MANIFESTATION OF ECLECTICISM IN CONTEMPORARY STYLIZATION OF THE UKRAINIAN FOLK-STAGE DANCE
Abstract
The purpose of the article is to determine the peculiarities and current tendencies of contamination in the Ukrainian folk-stage dance stylization process. The research methodology consists in applying such scientific methods as a logically analytical one to determine conceptual approaches and identify the main tendencies of the Ukrainian folk-stage dance development, a dialectical method to outline the creative contradictions in the folk dance stylization, which makes it possible to trace the main phases of stage choreography. The scientific novelty of the research lies in the systematic, holistic analysis of the specifics of folk-stage dance modern productions and the practicability of the innovative forms application and author's interpretations of the XXIst century choreography contamination. Conclusions. Ukrainian folk stage dance, with the vocabulary been formed by the XXth century leading choreographers on the basis of folklore sources through transformation in accordance to the stage choreography rules, is enriching and evolving thanks to the domestic choreographers achievements, with their achievement in the process of innovative methods of contamination application been used for the modern means of expression creation. Among the priority contamination tendencies in the process of folk-stage dance creation are the following: the creation of choreographic compositions based on folk original sources; highly skilled approach to the analysis of lexical material and dance pattern; features of the choreographic stylization technique and professional approach to the stylistic interpretation of the material; organic combination of local dance vocabulary elements with modern rhythms and movements; the corresponding transformation of the musical rhythmic formula, plot structure, etc.
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