Women Playwrights at the Crossroads: A Comparative Study of Ireland and Korea in the Mid-Twentieth Century

Abstract

This paper examines plays by Irish and Korean women playwrights whose work is often neglected in their national canons and in the male-dominated theatre scene of the mid-twentieth century. The cases of Ireland and Korea overlap in compelling ways with discussions of modernity that are being reconstructed from the perspectives of colonial subjugation (under Britain and Japan) and wartime experience (in the Irish Civil War of 1922-23 and Korean War of 1950-53). There is a close relationship between these women writers’ marginalised place in their respective countries’ literary and theatrical scene and the process of Irish and Korean modernisation. The paper conducts a comparative analysis of works by Teresa Deevy, Kim Ja-rim, Maura Laverty and Jeon Ok-joo, highlighting the various thematic, political and formal strategies that these playwrights adopted at a time when their nations were ‘at the crossroads’. Against the grand narratives of ‘the nation’, women playwrights focused on depicting the aesthetics of daily life, emphasising aspects that had been neglected or marginalised in the discourse of modernity/coloniality. They dismantled clichés of dutiful wives and pacifist mothers, choosing instead to create complex and authentic depictions of femininity, endowing their female characters with a potent political voice in the public sphere. By reassessing their plays from a transnational feminist perspective, the paper seeks to expand feminist discourses in both Irish and Korean theatre history.

Keywords

• irish theatre
• korean theatre
• comparative drama
• transnational feminism
• modernity/coloniality