TAHMISES WRITTEN ON NASIMI`S GHAZELS

Abstract

The literary heritage of the great Azerbaijani poet Imadedin Nasimi had a great impact on the work of Azerbaijani, Turkish, Central Asian and other poets. The scientific world knows the nazire of the 14th century Turkish poet Tadjeddin Ahmed, the tahmises of the 16th century poets Heirati, Kelami and Heydari, written in Nasimi poems. We know two tahmis of the 16th century Turkish poet Usuli to the verses of the great Azerbaijani poet. Tahmis is a genre of classical oriental poetry. Here, to each beit-couplet of the original, three lines are added, which must correspond in content, metric, and rhyme. The authors of tahmises on poems by Imadaddin Nasimi-Heyrati, Kelami, Heydari, Usuli and others not only expressed solidarity with the humanistic ideas of the great Azerbaijani poet, but also managed to find a metrical, rhymic correspondence with his poems. The practice of writing poems on a given topic is widespread in world literature. In fact, it was a kind of literary game, where the imagination and artistic imagination of the game participants were connected. It manifested not only the vocabulary richness of the participants' language, but also the attitude to the genre, to the creative abilities and peculiarities of the style of other participants. It should be noted that tachmis write much more difficult. Here it was necessary to bring the newly written text as close as possible to the already existing text, continue the idea, vividly express the thought, thereby expressing respect for the author of the previous lines. Usually such imitations were written in honor of the most respected poets, in order to further glorify them. Thus, the authors of tachmis leave their mark on the history of poetry. It was not easy to write the continuation of gazelles, since this is a poem of a small poetic form.