Peculiarities in the Interpretation of K. Stanislavsky Concept «Illustrated Subtext»

Abstract

The purpose of the study is to find out the features of understanding and interpretation of K. Stanislavsky’s concept of «illustrated subtext» to determine the essence, significance and place of «illustrated subtext» in the process of stage interaction between the actors. To offer own understanding and definition of a language subtext and to prove its significance as a composite scenic speech. Research methods. Analytical is to study existing theoretical interpretations in the context and its practical application; comparative has been used in comparing and comparative analysis of theoretical and practical interpretations and application in the subtext; Logical-generalizing is for summing up the research, formulation of conclusions. The scientific novelty of the article is to refine the technology of the verbal action of the reader’s actor during stage communication; finding the main one, which serves as a real necessity for the declaration of the author’s words by the actor, and is an inducement for productive and purposeful verbal action. In the comprehension and interpretation in the essence of the theatrical notion in «subtext» and its application in the stage of speech practice. Conclusions. It is pointed out that K. S. Stanislavsky and his followers interpret the subtext as out-of-text is actor’s vision, representation, images, thoughts, feelings; calling it «illustrated», and as a subtext of a through action, it is not emphasizing at the same time their differences and distinctions. We note that the impression of the imaginary «illustration» («illustrated subtext») is only an irritant to verbal communication between the actors; the real need to pronounce words generates motivation and the purpose of their pronouncement.

Keywords

• словесне спілкування
• «ілюстрований підтекст»
• підтекст наскрізної дії
• к. станіславський
• г. крісті
• «кінострічка бачень»
• внутрішні бачення
• відчуття