Wokół prowokacyjnych gier i masek – o twórczości grupy muzycznej Rammstein

Abstract

This article focuses on the intermedial activity of a German music band, namely Rammstein. In its work the band, more often than not, utilizes the category of memories in order to refer to traumatic events. Moreover, the band undertakes intertextual games using various conventions. The text also touches upon the aspect of wearing masks by the artists and analyses the band’s performances in the light of Erving Goffman’s theory.

Keywords

• Rammstein
• rock culture
• mask
• image
• videos
• scenic image
• intertextual games