Talking Dogs: The Paradoxes Inherent in the Cultural Phenomenon of Soundboard Use by Dogs

Abstract

In recent years, dogs that appear to communicate with people by pressing buttons on soundboards that replay pre-recorded English words have become very popular on social media online. We explore how these dogs belong to a historical tradition that dates back at least to the Middle Ages and peaked in the early twentieth century. Through analyses of short videos, books, and training manuals, we identify several paradoxes inherent in this phenomenon. These include how the dogs appear to provide unmediated access to their thoughts, and yet, their button presses are typically incoherent and require interpretation. They also require months of training to “spontaneously” express themselves. There is also an anthropomorphism and -centrism in claiming that a human skill—language—is required for a dog to express mental states that it already possesses. This approach to communicating with dogs quiets canine forms of expression such as barking, whining, bodily postures, and odors and replaces them with endearing but infantile human voices. We suggest that, while this endeavor may be well intentioned and often playful, it runs the risk of skewing people’s perception of dogs towards fur-clad infants rather than adult members of a different species and of making people less attentive to canine nonverbal communication.

Keywords

• talking dogs
• human–animal relationship
• social media
• dog training
• animal performances