PARTIAL ABILITIES AS A SPECIFIC STRUCTURAL BASIS FOR THE TALENT OF A MUSICAL ARTIST

Abstract

The uniqueness of the communicative system of the musical, as a special genre of the musical theater, determines the creative algorithm of the musical artist - a very complicated fundamentally complex phenomenon, which is a trinity of vocal-musical, plastic and acting elements of skill, within which the immanent creative process is carried out. The main professional characteristic of the musical artist’s creative algorithm is the musical-intonational phenomenology of the „birth” of the three artistic languages of the musical - vocal-musical, plastic and acting. The presence of partial abilities is a determining factor in the artist’s choice of professional genre specialization. The partial trinity of the artistic languages of the musical can manifest itself professionally only on the basis of the artist’s musical talent. All the three manifestations of the artistic language of the musical feed on the primary sensory information from the musical material, perceive the information as a musical impression and realize it in sound, plasticity, and acting. The partiality of the musical artist’s talent is determined by the natural synthesis of the acting, vocal-musical and plastic abilities; manifests itself in the professional algorithm of the musical artist and is realized in the immanent creative process, the basic impulse of which is the musical impression.

Keywords

• musical artist
• musicality of talent
• partial abilities
• professional algorithm