Artistically Man Dwells: Advenant as an Actor in the Philosophy of Claude Romano

Abstract

The study interprets the event hermeneutics of the French phenomenologist Claude Romano, which he postulated in the publications Event and World, Event and Time and There Is, through the prism of artistic experience. The study aims to interpret concepts such as event, advenant, ex-per-ience, reconfiguration and nothingness and point out their connection with art. The working thesis is: The advenant lives artistically. The aim of the study is not only to analyse and present Romano's work, but also to highlight the tendencies leading to the understanding of the event and the advenant in artistic contours. For this reason, the study tries to analyse the authors' context, which consists of phenomenological hermeneutics, especially the works of Martin Heidegger and Henri Maldiney. In connection with the reconfigurative aspect of the advenant's being, the central concept of the study becomes the concept of a figure, which follows the problem of acting.

Keywords

• event
• martin heidegger
• henri maldiney
• performativity
• advenant
• despair
• nothingness
• acting