The third margin of film. Ecuadorian cinema and parallel circulation.

Abstract

This article discusses the filmic production carried out independently by Ecuadorians self-taught filmmakers. By the turn of the 1990s to the 2000s, using home equipment and the market of pirated DVDs, they began making films that have been successfully received by the public. Working with films such as those by Fernando Cedeño, Nixon Chalacama and Nelson Palacios, shot in general in Ecuadorian "bajas tierras", far from the capital, Quito, and at first unrelated to official devices funding and display, requires first of all a deconstruction of customary antagonisms, as those who oppose "amateurism" and "professionalism", "craft" and "industrial", "center" and "periphery".

Keywords

• Equador
• cinema independente
• cinema amador
• pirataria
• cine bajo tierra