KING LEAR BY W. SHAKESPEARE – DIRECTING AND ACTING VISION (AT “EUGENE IONESCO”)

Abstract

The article analyzes the stage performance of the play „King Lear”by Shakespeare at the National Theater„E. Ionesco” from Chisinau. Emphasis is laid on directing the show, highlighting a series of procedures used by the director: antithesis, parallelism, compositional ring. At the same time, some aspects regarding the scenography and the action of the play are pointed out. The acting , the „dramatic text - show” relationship, the way of mediating between the audience and the show are other important aspects approached by the author

Keywords

• show
• play
• directon
• stage action
• actor
• audience
• acting
• composition
• composition techniques