Claude Simon : une contestation du texte par l’image

Abstract

The image plays a central role in the work of Claude Simon. The image appears as a stimulus at first, but it is an eclipsed image. It remains only as a footprint which is not in play. Conversely, word itself becomes an image, its tension is turned towards the visible which takes it as far as rebus and mythogramme: the biface object of an image-word. As if in the hollow of the work, the image has a genuinely questioning role, making lines and borders move, transforming in depth not only the simonien text but also ourimpression of it.

Keywords

• calligraphie
• Simon Claude
• contestation
• frontière
• graffiti
• image