“Itai Amen Satani Abhoikane”

Abstract

On a typical Sunday afternoon, while roaming around the streets of TikTok, a social media application, my eyes landed on a video in which a female preacher was dancing vigorously on the pulpit. The comment section was abuzz with both words of admiration and notes of displeasure. It was clear in that moment that her theological pedagogy was unsettling for most. Yet, I found it intriguing. It is also on TikTok that I encountered the tagline, “itai amen satani abhoekane” [say amen and make satan bored]. I was sold on her disruptive use of language, the singing of secular music in church, and dancing with abandon on the pulpit. Her name is Chaplain Christabel Phiri, a woman who in my view is reshaping theological discourse in Zimbabwe. Beyond that, she redefines what it means to be Christian and troubles the dichotomy that exists around Christianity and feminisms. Drawing on Chaplain Christine Phiri as my case study, I reveal, in this paper, the possibilities of feminist praxis within the church space. I offer an analysis of five of her sermons, referred to here as theological performances, as well as other performance elements such as costume, gestures, conduct, and props, including language.

Keywords

• Chaplain Phiri
• African feminisms
• Decoloniality
• African feminist theology.
• Popular participatory performance
• Killjoy feminism