Una poética de la comparación: crítica y ficción en María Gainza
Abstract
In this article we will analyze the procedure of construction of a fictional character that allows the author María Gainza to cement a position of critical enunciation in the contemporary art world. We will study her compilation of reviews gathered in the volume Una vida crítica. At the same time, this elaboration of character is carried out through a work of comparison that places her critical prose on the same level as her fictional prose ‑ as we will try to demonstrate – in her two books, El nervio óptico and La luz negra.
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