For a dialectic of metamorphosis: the new public and the kaleidoscopic museum

Abstract

The article discusses the dialogue established between the young public and museums, analyzing the contemporaneity of traditional museum discourse. In the light of concepts such as sharing of the sensitive, dialectal images, metamorphosis of artwork and cyberspace, developed by the theoreticians Jacques Rancière, Georges Didi-Huberman, André Malraux and Pierre Lévy, my intention is to question the potential interaction and production of senses exploited, or not, in museum spaces.

Keywords

• museums
• cyberspace
• art education
• dialectical images