The Deposition by Raffaello Sanzio: New analytical insights on old cross sections for the characterisation of pictorial palette

Abstract

In 2020, 500th anniversary of Raffaello Sanzio death, his Deposition (1507), -the altarpiece known also as the Pala Baglioni, today located at the Borghese Gallery in Rome-has been subjected to conservative revision and preventive conservation project. This included in-depth diagnostic campaigns through most modern non-invasive techniques, together with the analysis of old cross sections from the same Pala. These latters, prepared between 1966 and 1972, preserved in ICR laboratory of chemistry and testing materials archive, have been used to deepen the knowledge of Raffaello painting techniques. The use of such cross sections was fundamental to verify the original pictorial film and restoration re-paintings before the conservation intervention in the same years.In this paper, the results of analytical insights on Raffaello pictorial palette are presented. The information is obtained by the analysis of the old ICR stratigraphic sections, through the use of Scanning Electron Microscope with Energy Dispersive X-Ray analysis (SEM-EDX) and micro-Raman (632.8 nm), while Surface Enhanced Raman Scattering (SERS) analysis through colloidal paste has been tested for the identification of organic lake-pigments present in low concentration and for the successful recognition of copper resinate, whose SERS spectrum is here reported for the first time, according to our knowledge. This combined diagnostic approach has made it possible to recognize the pigments employed in the different pictorial layers, such species in traces and those from organic materials, responding to open questions arising previous non-invasive analyses and highlighting further aspects of the illustrious master refined painting technique.

Keywords

• Raffaello Sanzio
• Painting palette
• SEM-EDX
• Raman
• SERS