Estudos de Literatura Brasileira Contemporânea (Jan 2011)

Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis

  • Idelber Avelar

Journal volume & issue
no. 37
pp. 171 – 188

Abstract

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The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality.

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