Representación cinematográfica del periodo de transición democrática en la Argentina de 1983. El caso del film nacional En retirada

Abstract

With the arrival of democracy, Argentine cinema sought to represent in a variety of ways the recent past, that is, what was experienced under the National Reorganization Process (1976-1983). Here one of those representations is studied that corresponds to the first films filmed after the dictatorship in a cinematographic period conditioned by the theory of the two demons and that of the victim society. For this, a formal and contextual analysis of the film is used. Retired was released on June 28, 1984 and produced under law 23,052 / 84 that eliminates the censorship established in 1974.

Keywords

• Memory; cinema; democratic transition