Turkish womanish dramaturgy: origin, development, conflict

Abstract

Turkish womanish dramaturgy: origin, development, conflict The article is devoted to the research of origin and becoming of womanish Turkish drama, its active development, subject of plays. Modern Turkish dramaturgy is problem and scantily explored part of the Turkish culture. Presently in Ukrainian Orientalizm there is lack of valuable researches, touching the problem of Turkish author dramaturgy and womanish author dramaturgy in particular. The purpose of the article is an attempt to fill certain compartments in research of Turkish womanish dramaturgy. Turkish womanish drama from the period of origin and to the present tense puts the main questions of existence of individual in society, influences of society on life of personality, forming of world view in a modern life. The main heroines of Turkish womanish drama are women which a conflict is opened out round. These are heroines of certain age and social level, the eyes of which Turkish society sees existent problems. Characters in works of the Turkish women-dramatists pass an internal psychological conflict, direct-coupled with common to all mankind conflicts, that in a great deal coincides with appearances of women in works of dramatists-men. The Turkish womendramatists aim not to yield to the men-dramatists in spaces of literary process, to what new themes and genres testify in their creation. Reality of Turkish womanish dramaturgy of contemporaneity is a lack of the womanish names; quality of literary self-knowledge of women-authoresses is indisputable though. Womanish literature is a theme which caused and continues to cause sharp discussions, it is important and living part of world literature, therefore needs further researches.

Keywords

• womanish dramaturgy
• conflict
• turkish
• appearance
• drama of absurdity