CLASSICAL AND ROMANTIC FEATURES IN BEETHOVEN’S SONG CYCLE AN DIE FERNE GELIEBTE

Abstract

This article examines the cycle of songs An die ferne Geliebte written by Beethoven in 1816 as the fi rst example of a vocal cycle in the history of music. It is investigated in terms of correlation between the classical and romantic features pursued both in the content and structural aspect. It features the presentiment of the romantic lied in the musical language and development principles of the thematic material, in morphogenesis. Th e semantic correlations between the cycle numbers and the melodicrhythmic ties are highlighted, special emphasis is laid on the piano part in the dramaturgy of the whole.