Vacilante vida escrita del novelista argentino. Diario de escritor editado por el autor, entre presentes y comienzos
Abstract
When the self that is taken as an object of writing includes its multiple alienation, it undoes the equivalence between author-narrator-character ruled by Lejeune in 1975. That year, Roland Barthes par Roland Barthes deconstructs the similarity by activating the writing of the self as another, in a pronominal sounding that mobilizes the imaginary as an effect of ignorance. This fictional and critical thickness of the autobiographical stuff is explored by Argentine writers like Ricardo Piglia and Rodolfo Rabanal: in the second decade of the XXI, with different strategies, they edit their personal diaries of the beginnings in the 70s, when they projected novel reading Barthes.
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